From Fantasia to Cephiro:
How Magic Knight Rayearth Rewrote The Neverending Story
For me, they are the ones from the theme song of Una porta socchiusa ai confini del sole:
A melody I used to listen to as a little girl and that even today, in my darkest moments, resonates inside me to the point of making me weep bitterly.
I have always lived with a deep inner dualism, torn between Luce’s instinctive impulse and Anemone’s rationality ( she is my absolute favorite, look at her, so stunning in her armor of that forest green I love so much)
Buying Star Comics’ new Clamp Premium Collection a few weeks ago was a true journey back in time, you know?
Oh yes, there is currently a reprint out, as you can see in the photo on the side, but the real magic sparked when I faced one specific page.
When the girls are summoned to Cephiro and Princess Emeraude’s telepathic voice echoes through the panels, saying
"In this world, will beats any other power"
I experienced a genuine visual and literary shock, remembering an emotion, a connection I had archived ( one that I had already made back when I was a young girl) :
My mind instantly flew to the Ivory Tower of Fantasia.
I looked down at my left wrist, where I have the Auryn itself tattooed with the phrase "Do what you wish" and the symbol itself, and it hit me:
CLAMP’s masterpiece and Michael Ende’s The Neverending Story share the exact same, incredibly powerful heart.
Another very important and precise thought touched my soul at that exact same parallel moment .. the notes of "The Auryn Connection" (the thirteenth track of my album Echi dal cuore as Chridhe88) vibrated under my skin.
I realized the circle was closing.. the masterpiece that these two works represent and my very own musical journey share the exact same, incredibly powerful Chridhe.
This invisible thread connecting the past to the present becomes even stronger today. Cephiro, in fact, is preparing to wide open its gates once more:
on October 7, 2026, the highly anticipated anime remake of Magic Knight Rayearth will officially debut, produced by studio E&H Production to celebrate the work's 30th anniversary.
A magical coincidence, which makes this rediscovery of mine feel even more urgent and necessary.
The constancy of the mind:
where Will creates the world.
The constancy of the mind: where Will creates the world
The core that unites these two immortal works lies precisely in that specific panel of the first volume, in my opinion
In Cephiro, there are no unchangeable laws of physics:
feelings materialize into armor and determination turns into raw power.
But this immense gift rests upon the dramatic system of the so-called Pillar (Sesshin):
the stability of the planet relies entirely on the prayers and mental concentration of a single person, Princess Emeraude.
If her mind wavers, the universe crumbles.
A concept so blunt and sharp that it leaves you no room to think otherwise.
This concept is the exact mirror of Fantasia.
The realm of dreams has no geographical boundaries because it is made of pure human imagination:
when human beings stop believing, the Nothing devours everything.
The Auryn amulet that Bastian wears around his neck (and that I have imprinted on my skin) screams "Do what you wish", because in these universes, Will is the only true driving force of the heart.
Both M. Ende and CLAMP warn us about the exact same danger:
fantasy worlds are the projection of our own minds, and without a steadfast will to guard them, they plunge into chaos.
Let’s look at the deception of the Hero: when salvation becomes a condemnation
This is where the intuition turns into an astounding certainty, you know?!
Both authors use a ruthless narrative technique: the deconstruction of the "Savior", as we all are traditionally meant to see it.
They trick the reader (and the protagonists themselves), completely overturning the meaning of the word "hero".
If you remember, in The Neverending Story, Bastian is summoned to Fantasia as the savior. He receives the AURYN medallion with the inscription "Do what You Wish" ( which means "Fa' ciò che desideri") , convinced that every single one of his desires is an act of heroism.
But the deception is subtle ... every time he makes a wish, Bastian loses a memory of his real life .
Bastian becomes selfish, arrogant, and forgets who he truly is (so much so that Atreyu himself is emotionally wounded by it) and he goes as far as declaring war on his own friends, turning almost into the tyrant of the very kingdom he was supposed to save.
CLAMP pull off an identical narrative miracle within their dramatic storytelling, having Luce, Marina, and Anemone summoned to Cephiro as the legendary "Magic Knights".
Their task seems crystal clear, straight out of a textbook fantasy role-playing game:
defeat the evil Zagato, who has kidnapped Princess Emeraude, and free the world.
But the ending of the first part (a genuine trauma for a whole generation of readers) rips away the veil of illusion.
Zagato was no tyrant:
he loved Emeraude and only wanted to protect her.
The Princess, crushed under the weight of being the Pillar of Cephiro, had fallen in love with him, but the law of her world strictly forbade her from thinking about anyone other than the well-being of the planet she ruled and protected.
The three girls ( and all of us readers) discover the most atrocious truth: they weren't summoned to free Emeraude from a physical prison, but to commit a true act of rebellion against everything the princess herself represented: to kill her.
Because she couldn't do it herself.
Bastian and the three students in question therefore share the exact same destiny:
they discover that being "the chosen one" in a fantasy world is not a childhood dream, but a devastating psychological burden that leaves indelible scars.
The trauma of the return, and everything left to rebuild
Pay close attention here: what happens when the adventure ends but the world you tried to save is in ruins?
It is during this phase that M. Ende and CLAMP reach absolute narrative maturity, addressing the painful psychological consequences of the actions of those who are the protagonists..
As far as The Neverending Story is concerned, the second part of the book finds Bastian trapped in Fantasia, and we see him embark on an intimate, visceral journey in search of himself so as not to remain forever a prisoner of his own illusions. He learns that true power does not lie in manipulating the world as he pleases, but in finding the strength to love and to accept himself for who he truly is.
Every single facet of himself that he knows, and those he has yet to discover.
In a mirror-like way, the second series of Magic Knight Rayearth opens under the sign of total trauma for Luce, Marina, and Anemone, who have returned to Earth but are utterly devastated by the guilt of having killed Princess Emeraude.
Their deep desire to make up for the disaster draws them back to Cephiro, which is now a planet stripped of its "Pillar", literally decomposing under the attack of enemy nations.
The girls no longer have to fight a traditional "bad guy"; instead, they must help the people of Cephiro understand that a world built upon the sacrifice and loneliness of a single person is a completely wrong world...
The true salvation for Cefiro won't be a new sacrificial "Pillar"... but understanding that every single person living there must take responsibility for their own future, their own feelings, and their own dreams.
Does this resonate with you?
The backstory: a (nearly) unprecedented parallel
While I was preparing this piece, driven by curiosity, I wanted to do some deep research on the web (as I usually do, because I take so many mental leaps that my mind races faster than my writing), analyzing both Western communities and historical Japanese forums to see if anyone else had ever noticed this connection I'm talking about.
The result is surprising:
we are standing in front of a hidden treasure.
Online, you can only find the rarest "sparks" in the comments:
minimal hints from readers who, while reviewing the manga, write things like: "The Pillar system and the end of the world remind me a bit of The Neverending Story movie". In Japanese forums, on the other hand, Michael Ende's work is sometimes cited as the "spiritual grandfather" of 1990s Isekai, inserting M.K. Rayearth into the list of influenced works.
However, to this day, there is absolutely no dedicated article or literary critique that compares the deconstruction of the hero, Bastian's trauma compared to that of Luce, Marina, and Anemone, or the concept of Sesshin (the Pillar) mirroring the power of the Auryn...
This makes our re-reading of the Premium Collection something unique and incredibly (how can I put it?)MINE.
It gives me a great sense of satisfaction.
So much so that I will also release this article in English, purely as a point of personal pride.
So you all know. I deserve a little praise, after all (The article in English is this From Fantasia to Cephiro: How Magic Knight Rayearth Rewrote The Neverending Story)
To conclude, here is a bridge between two worlds:
Re-reading Magic Knight Rayearth today, thanks to the aesthetic care of this new reprint, is not just an operation of nostalgia. It is the confirmation of how CLAMP, since the '90s, had their eyes fixed on the greatest classics of European fantasy, deconstructing their clichés with a psychological sensitivity that was way ahead of its time.
Cephiro and Fantasia are not so far apart, but are rather two mirrored worlds. Both are the reflection of just how fragile, and at the same time extraordinarily powerful, the desires of our minds can be... and how they can create reality.
And so, my fellow Chridheians, what do you think? What are your thoughts on this?
Had you ever noticed this incredible parallel between Michael Ende's masterpiece and the warriors of Cephiro?
What was the detail that shocked you the most the very first time you read the ending of Rayearth?
Let me know in the comments, I will be reading you all as always



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